A
native perennial with a taproot, even when it looks as if it’s been
killed by the most severe winter, the Welsh Poppy will bounce back in the spring.
And it doesn’t need much soil, being happy to grow anywhere as
long as there is moisture and a little sunshine.
When
it came to choosing a native
wild flower to paint,
this elegant and delicate beauty was an obvious choice, it
deserves more attention than it gets and makes a perfect subject for
a watercolour painting. Luckily, I had harvested a few seeds from wild plants some years ago. I thought they were lost, but late in 2016, they started growing on the patch where they'd been sown. By spring last year, I had several small plants all showing good growth. As with all my paintings, my first move was to make studies of alll aspects of the plant, starting with it's growth habit and working through all the parts - even down to the tiny hairs on the buds and parts of the stems. Initial studies go in my sketchbook. Later studies are done on the paper I will work on.
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| Initial leaf studies - Welsh Poppy |
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| Initial Studies - Welsh poppy |
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| Painting leaves - Welsh poppy |
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| Flower studies - Welsh Poppy |
The bright yellow flowers were an enjoyable challenge. I had great fun finding the combination of yellows that would give depth and the correct colour, then working out how to portray the shadows without losing the glowing yellows.
Further studies on the flowers
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| Welsh Poppies on the Good Paper |
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| Close-up of the leaves |
The leaves were a challenge all their own since they change colour even under daylight lamps. Painting them in daylight is clearly the answer, but in a cold, wet, Welsh summer, daylight is somewhat scarce and painting in the rain with watercolour not really practical. Nevertheless, needs must and it was October by the time I was able to finish the painting, grateful for the mild autumn which allowed the plants to survive longer than usual.
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| Meconopsis cambrica - by Polly o'Leary |
